Artist Statement  

In my art practice, I am a collaborator; entangling myself within webs of land, water, community, and movements of rewilding. These vocational offerings take form through painting, public art projects, murals, and living sculptures.

Land-art relations are honoured through study (time spent with land), ritual (intentional choreography) and outdoor installations (land offerings); a transdisciplinary practice of processual worship and spiritual ecology. 

My practice is a work of wayfinding, a guided escape into time fruiting lively encounters with wild gods and shapeshifting spaces. Land-art in time creates a living work, a living mark, that ages and changes in the seasons, with tide and all weathers. We enrich our sense of belonging with placefulness and meaning through visitation, bringing with us questions of deep consideration and our gratitude (grief). 

I’ve always been fascinated with portals; sublime places that can transcend or transport those who are brave enough to delve into their depths. These depths, in all their multiplicity, converge to initiate renewal and a shifting of paradigm. May these portals create pathways for intersubjectivity and transformation.

I have experience creating with oils, water colour, acrylics, foraged natural materials/pigments and sculptural weaving materials on a large and small scale. I am often found mixing things; pigments in oil or water, compost in soil, flour in water and kids in gardens (but not all together in the same pot).

The force of liberation will blow the world to pieces,

it is too strong a current for the wire

-Alan Watts